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Riviera Palace

 If walls could whisper, the Riviera Palace, the Cote d’Azur’s grande dame of the Belle Epoque, would have a whale of a tale to tell.

 
To see the Riviera Palace is to be beguiled by it. The Beausoleil Tourist Office has organised for the Journees Europeennes du Patrimoine on Saturday 18th September, a couple of mini-bus tours, which will include points of interest in Beausoleil. Timings: 9-11 am or 2-4 pm. Reservations are necessary and may be made by telephoning + 33 (0)4 93 78 01 55. (photo courtesy of the Archives of Beausoleil and La Gazette de Monaco.)
 
As the 19th Century blossomed into the 20th, the hotel became the chicest hostelry on the Riviera. Celebrities (when celebrity was generated by talent rather than publicists) and Europe’s crowned and uncrowned heads flocked with their entourages to the hill-top venue in Monte-Carlo Superieur.
 
Winston Churchill was such a catch he was able to visit the magnificent Palace as a guest of guests. Wilhelm Apollinaris Kostrowitzy, better known as Apollinaire, the writer who introduced cubism into literature, was another ‘guest’ of friends well aware the poet’s mother had liquidated the aristocratic family’s fortunes on the gaming tables of Europe. Colette was inspired to write passages of her novels there. The legendary Ballets Russes’s Diaghilev and Nijinsky visited, before the autocratic Diaghilev dismissed the sublime dancer for marrying without his consent. Stravinsky convalesced from typhus at the Palace, visited by the only artist unafraid of contagion, Ravel. The Shah of Persia, Austro-Hungarian aristocracy, the Imperial Family of Russia and Leopold II of Belgium all succumbed to the Riviera Palace’s allure.
 
The Palace’s attributes were considerable: her location, 150 metres above sea-level guaranteed a salubrious climate, tranquillity and a panorama that looked down, East to West, from Bordighera to Cap Ferrat. Those seeking leisure and pleasure found everything they might desire inside the hotel: a restaurant, grill room, tea room, bridge room, an orchestra-in-residence, library, reading room, common room, a fifth-floor pergola/ promenade and an international staff of 1,000 to cater for every whimsical self-indulgence money might buy. For evasion from paradise, there was a private railway, La Cremaillere, which took guests to down to Monte-Carlo’s Casino and Salle Garnier theatre.
 
Hidden behind the rhythmic 136-metre façade of bow windows and balconies was an exotic affectation imported from Britain, a winter garden, lush with succulent plants and exotic flora. The more than 900 square-meters of the Riviera Palace’s glass garden was covered by a 27-metre-high, metal-veined cupola.
 
Lavish life-styles of the Belle Epoque were jolted into a reality of a different kind when the assassination of an Austrian arch duke in Sarajevo buckled the fragile balance of imperial power in Europe and triggered the Great War. The grand dame gave up her 150 rooms to a new set guests: poilus replaced the hoi poloi.
 
As many as 250 wounded combatants arrived in a single day at the new military hospital in Monte-Carlo Superieur where Prince Albert I spent time at the bedside of each soldier. To accommodate the growing number of victims of war, the Riviera Palace’s roof top promenade was restructured into hospital wards. By the early 1930s, the glamorous grand dame looked fated for destruction, until she was rescued by an Italian entrepreneur and turned into apartments.
 
In 2003, the interior, including the frescoes and winter garden, was refurbished and artisans were found to reproduce the original detailing, right down to the gold leaf decorating the stair spindles and the dolphin heads adorning drain pipes. Only the exterior of what is a national monument remains to be renovated. Nonetheless, the Palace, now under the jurisdiction of Beausoleil, a community that didn’t exist when the Palace was begun in 1898, has lost none of its legendary charm. An American artist, a resident of the Palace for a number of years, was overheard to declare, “I would scrub floors to be here.”
 
Text Lois Bolton.

Photo © Gillian Johnson-Flint.

 
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International Entertainment at the Grimaldi Forum

Monaco's Grimaldi Forum is launching its 10th year with a blockbuster season of events. Visitors to the sprawling green and glass structure hugging Larvotto beach will have access to a playbill with global reach.

The July 14th-September 12th summer expo, "Kyoto-Tokyo, Samurais to Mangas" is a journey from 8th Century Kyoto, where power and artistic weath was ensured for centuries by the legendary Samurai warriors, to Tokyo, whose post-war explosion turned the new capital into a technopolis that fuses aesthetics with futuristic technology. Emblematic of 21st Century Japan and the Japanese fascination with the idea that objects have a soul are the animated Manga figures.

Visitors to the Forum will be able to compare Japanese and Italian aesthetic genius when the Leonardi da Vinci exhibition opens September 1st-24th. The show is a journey through the mind of the extraordinary Renaissance artist, engineer and inventor who painted the world's most enigmatic woman, the Mona lisa, built military fortifications and looked into the futer to construct models for flight and penetration of the sea.

Booked for a shorter stay is the musical"Fame", June 15th-20th, the West End production focusing on the youthful aspirations at the High School for Performing Arts in New York, which has been engaging audience with its dazzling dance choreography since the '80s.

From March 27th-April 15th, Act II of Monaco's salute to the Diagilev centenary takes centre stage at the Forum with a retrospective of the post-Diagilev revolution in dance, stimulated in the United States by the outstanding Cunningham-Rauschenberg-Cage trio. It's a chance to enjoy the last performance of the troupe created by Merce Cunningham whose will stipulated the dissolution of the company a number of months after his death.

On May 8th, the Monte-Carlo Philharmonic will take audiences back to the days of silent film, accompanying a screening of Charlie Chaplin's "City Lights" with a score originally composed by the "little Tramp" himself.

The Argentine architect, Emilio Ambasc, whose work illustrates the beauty of the bond between architecture and nature, will exhibit models and photographs of his work March 27th-May 2nd.

Finally, returning on schedule are the Ever Salon of the latest electric, hybrid, fuel-cell, biogas and hydrogen-driven vehicles, March 25th-28th, followed by Top Marques, April 15th-18th, a "live show of the haute couture in the automotive world", and the red-carpet Monte-Carlo Television Festival, which celebrates the small screen in the same way Cannes honours its older sibling.

 

Text Lois Bolton
 

 
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40th Ecumenical Kermesse – Saturday 5th December
A BIG Thank You! to all of our helpers and all who attended and helped to make the day such a sucess!

 

 
BAM Churchill Monument PDF Print E-mail

Churchill Monument

Victory 1945 and the Churchill Connection

Victoire 1945 - commemorating the anniversary of VE-Day (8 May 1945) and the end of the Second World War after the defeat and capitulation of Nazi Germany - is a holiday in France. Monaco, a non-combatant nation in that conflict (though occupied by the Germans), celebrated the event in the Maison de France, 42 Rue Grimaldi at 11h30 on Friday 8 May, where the British Association and the Royal British Legion were represented. Members also attended parades at nearby war memorials in France, notably at the Monument aux Morts in Nice, close to the harbour. 

 A further ‘patriotic’ anniversary falls on Tuesday 19 May, the 40th anniversary of the inauguration of the Winston Churchill bust in Avenue Grande Bretagne, Monte-Carlo by the British Ambassador, the late Sir Christopher Soames, and Lady Soames (daughter of Sir Winston), in the presence of Prince Rainier and Princess Grace.  Churchill had a long association with the Principality from 1921 until his death: in the 1930s he painted many canvasses of villas and gardens on Cap Martin; in the 1950s and 60s he spent long periods painting at Lord Beaverbrook’s villa La Capponcina in Cap d’Ail and at the villa La Pausa in Roquebrune Village, owned by his publisher Emery Reeves; and, on resigning from the office of PriUnveiling of Churchill Monumentme Minister in 1955, and wishing to retire to the Cote d’Azur, he tried to purchase from the Société des Bains de Mer his ‘dream villa’ La Vigie (next to the Monte Carlo Beach ), which, in recent years, has been occupied by fashion designer, Karl Lagerfeld. Churchill’s last Riviera visit was in 1963, aged 87, to stay again at the Hotel de Paris before embarking Aristotle Onassis’ yacht Christina for a cruise to Sardinia, Corfu and Athens. He died in London on 24 January 1965, aged 90. 

(Photo Credits: For the bust photo: “Archives du Palais Princier – photo Detaille.” For the group photo: (from left to right: Sculptor Oscar Nemon, Lady Soames, Sir Christopher Soames, Princess Grace, Prince Rainier): “Archives du Palais Princier – photo Robert de Hoé”.)

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